MALOYA’S SIXTH ANNIVERSARY AS A UNESCO INTANGIBLE CULTURAL WORLD HERITAGE
(Posted 01st October 2015)
On the first of October 2009 was Maloya, together with Sega, inscribed by UNESCO into the roll of human intangible cultural heritage, in recognition of the value and traditions Maloya has for Reunion’istas.
Maloya came to Reunion with slaves from the African mainland and Madagascar late in the 17th Century and quickly established itself as a platform for both togetherness and rebellion among the slave population. Passed down from generation to generation does Maloya combine the drums, choir, soloists and percussion, giving each its rightful place.
Maloya is played with traditional instruments such as roulèr (bass drum), the kayamb (raft rattle), the Piker (a bamboo cylinder beaten with two sticks), the sati (a metal case struck with chopsticks) and the triangle, abandoned by musical cousin Sega for the benefit of string and wind instruments.
Maloya is characterized by a tempo marked by ternary rhythms. For decades the Maloya was officially banned and only in 1982 was the censorship lifted.
It has now become the major expression, culturally and musically, part of a greater Reunion identity which is practices now by over 300 bands. Originally confined to thebig sugar estates, Maloya is now evolving into more and more varied versions in the texts as well as instruments with the introduction of the djembe or synthesizers.
Performed on stage by artists, it competes today with rock, reggae, jazz or electronic music and inspires poetry and art on Reunion island like few others.
For more information about Destination Reunion click on www.reunion.fr
